![]() ![]() The layer structure is perfect for motion design and animation as it allows you to visually assess the graphical elements in a manner reminiscent of old-school animation. This is where the characters were drawn on transparent film and placed on top of a painted background. To some degree, layer-based compositing can be compared to classic cel-animated movies created before animation became digital. The background mountains layer sits at the bottom of the layer stack. A typical representation of After Effects Layers.Īs seen in the example above, we can see that the YES.png sits at the top of the layer stack and is visible first. This, in both a physical and literal space, makes the most sense to look at. This means each image element is stacked on top of each other, and are displayed in descending order. However, there’s perhaps no more significant difference than in how you compose in each software.Īfter Effects works on a layer-based system. It’s no secret that After Effects and Fusion share many similarities. However, do note, if you own a license to the Studio version of Resolve, you can also download and use the Studio version of Fusion at no extra cost. Image via Blackmagic Design.Īs you can see in the screenshot, for the most part, the features in the Resolve software have many of the same features found in the standalone version, but there are several omissions in Resolve.Īdditionally, because Resolve houses the editing, audio, and color grading platform, you may find Resolve studio slightly slower in response time than the standalone software in bootup time. Blackmagic has already created a list that compares the two software, and given the length of the list, I advise you to check out that page. For the most part, both versions look and operate the same with only slight variations. Fusion Studio, the standalone software, and the Fusion page found within DaVinci Resolve (both free and studio versions of Resolve). Please note, throughout the article I will embed various basic tutorials that are worth watching if you’re unfamiliar with the terminology being discussed.īefore looking at core differences between Fusion and After Effects, we need to distinguish that there are two variations of Fusion. For the most part, the choice you make will depend on the type of post-work you’re creating and the workflow you’re already embedded in. Equally, it’s important to note that we’re not comparing vastly different software, like Photoshop vs. However, it may be fair to say that Fusion offers greater strength in 3D compositing, while After Effects holds a larger share of motion designer and animation components. In principle, you can do 95% of everything in Fusion and vice versa. What Exactly Is After Effects and Fusion?īoth Blackmagic Fusion and Adobe After Effects are post-production software focusing on image compositing and motion graphics. ![]() With that, let’s look at the differences between the two software, so you can decide which is right for you. After Effects, using layers instead of nodes. You may find yourself using different camera color science, accommodating for a different polar pattern with the microphone, or in the case of Fusion vs. ![]() Likewise, while you’ll find the process of transferring your ideas into reality the same, the execution will differ slightly from tool to tool. After Effects, there’s rarely just one application to get the job done-whatever that job may be. As it is, this is the best solution I've discovered so far.Take a look at the differences between Fusion and After Effects, so you can decide which one is right for you. If anyone knows how I can fix this shadow or knows of another way I can draw a line that I can easily manipulate the curve and length of while still applying a stroke and dropshadow to it, I'm all ears. ![]() It looks like it's picking up the white color from the stroke even though I have the shadow set to use the color Black. However, the dropshadow is showing up more like a white glow than a black shadow. So I then drop this path composition into my main composition where I can position it over the map and give it a white stroke and a dropshadow. As it is a stroke on a path for ease of animation, I find that I cannot add a white stroke to it. I make the stroke of this path the color I need for the body of my line (red or blue), set the stroke width to 24 and set it's line caps to Round Cap, and set the opacity of the fill to 0. Because the lines can change shape and length, I found that my best option is to draw a line path in a composition that I can animate the shape and length of (using trim path). I need to animate bunch of styled lines on a map that are either blue or red in color with a white stroke around them. Thank you for taking the time to read this and help me out. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |